Bibliographic information:
Ten paperbacks • £35
Each book is 110 mm x 178 mm
1 January 2021
BIC: DNF, JPA, CBX
Ten paperbacks • £35
Each book is 110 mm x 178 mm
1 January 2021
BIC: DNF, JPA, CBX
Territory: World English (excluding US)
Orwell’s Essays 1–10
Original price was: £50.00.£35.00Current price is: £35.00.
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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership.
The first ten books in the series are:
Why I Write
In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre.
Politics and the English Language
In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play.
The Prevention of Literature
In The Prevention of Literature, the third in the Orwell’s Essays series, Orwell considers the freedom of thought and expression. He discusses the effect of the ownership of the press on the accuracy of reports of events, and takes aim at political language, which ‘consists almost entirely of prefabricated phrases bolted together.’ The Prevention of Literature is a stirring cry for freedom from censorship, which Orwell says must start with the writer themselves: ‘To write in plain vigorous language one has to think fearlessly.’
Politics vs. Literature
Politics vs. Literature, the fourth in the Orwell’s Essays series, is, at heart, a review of Jonathan Swift’s Gulliver’s Travels. Having been given a copy of the book on his eighth birthday, Orwell knows it inside out, and thinks highly of it; it is ‘pessimistic’, though, he says – ‘it descends into political partisanship of a narrow kind,’ designed to ‘humiliate man by reminding him that he is weak and ridiculous.’ Using the book as an example of enjoying a book whose author one cannot stand, Orwell goes on to say that he considers Gulliver’s Travels a work of art, leaving the reader to reconsider the books on their own shelves.
Shooting an Elephant
Shooting an Elephant, the fifth in the Orwell’s Essays series, tells the story of a police officer in Burma who is called upon to shoot an aggressive elephant. Thought to be loosely based on Orwell’s own experiences in Burma, the tightly written essay weaves together fact and fiction indistinguishably, and leaves the reader contemplating the heavy topic of colonialism, with the words ‘when the white man turns tyrant it is his own freedom that he destroys’ echoing from the page.
England Your England
Fearing that England was about to be wiped from the face of the earth by the Nazi bombers flying overhead, Orwell put pen to paper and set out to make a record of English culture. England Your England, the sixth in the Orwell’s Essays series, is this record, and is an important tableau of the nation’s history, and demonstrates a resolute refusal to bow to the threatening forces of Fascism.
Orwell on Reading
On Reading, the seventh in the Orwell’s Essays series, collects together Orwell’s short essays on books – ‘Bookshop Memories’, ‘Good Bad Books’, ‘Nonsense Poetry’, ‘Books vs. Cigarettes’ and ‘Confessions of a Book Reviewer’ – giving a rounded view of the great writer’s opinions on the literature of his day, and the vessels in which it was sold.
Inside the Whale
Inside the Whale, the eighth in the Orwell’s Essays series, discusses Henry Miller’s controversial Tropic of Cancer, and considers the driving power behind the great books of the twentieth century. Comparing Miller with other literary giants, Orwell lambasts the notion that all literature is good, forcing the reader to think for themselves, with his final words ringing in their ears: ‘five thousand novels are published in England every year and four thousand nine hundred of them are tripe.’
A Hanging
A Hanging, the ninth in the Orwell’s Essays series, tells the story of the execution of an unnamed convict in Burma. With the veracity of the story unknown, but thought to be loosely based on Orwell’s own experiences in Burma, the haunting tale leaves the reader contemplating the heavy topic of colonialism, and the right of one to take the life of another.
Decline of the English Murder & Raffles and Miss Blandish
In Decline of the English Murder, the tenth in the Orwell’s Essays series, Orwell considers the sorts of murders are portrayed in the media, and why exactly people like to read about them. Expounding on his findings in the accompanying essay, titled in full The Ethics of the Detective Story from Raffles to Miss Blandish, Orwell broadens his focus to ‘true crime’ and realism in fictional murders – a genre that thrives to this day.
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A writer who can – and must – be rediscovered with every age.
Irish Times
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